In MoMA and UNIQLO’s new Art for All video series, we delve into an artist’s process and inspirations to reveal connections between art and life. Here, street photographer Jamel Shabazz talks about ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Filmmaker, Ken Jacobs: This is Ken Jacobs. I'm a filmmaker. Filmmaker, Azazel Jacobs: My name is Azazel Jacobs, son of Kenneth and Florence Jacobs. My mother began as a painter and then became the ...

Curator, Romy Silver-Kohn: When I think about Lillie P. Bliss, it was a life that held many contrary things at once. Writer, Kate Walbert: She was, on the one hand, this dutiful daughter, and on the ...

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Filmmaker, Ken Jacobs: This is Ken Jacobs. And I've made hundreds, if not thousands, of films. Filmmaker, Azazel Jacobs: My name is Azazel Jacobs, son of Ken Jacobs. Ken Jacobs: My first film was ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Curator, Luis Perez-Oramas: Lonely Figure was the only painting made by Tarsila in 1930. After the economic crash of 1929, which brought to an end the coffee plantation economy, after the end of her ...

Filmmaker, Raquel Cecilia Mendieta: Ana Mendieta made over one hundred films and videos in her lifetime and all of these films tell a story in one way or another. My name is Raquel Cecilia Mendieta, ...

Filmmaker, Azazel Jacobs: My name is Azazel Jacobs. Filmmaker, Ken Jacobs: This is Ken Jacobs. Azazel Jacobs: My father started working on this film, Star Spangled, in '56. Ken Jacobs: I'd met Jack ...

NARRATOR: Kiki Smith uses color sparingly, but the works on this wall reflect the influence of a specific period of illustration: Victorian children's books. Here, you see two treatments of Little Red ...