The 23 January edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured music by Mattie Barbier, ...

The 16 January edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured a guest mix by Lebanese ...

In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new ...

In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident ...

Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...

In The Wire 491/492, Peter Margasak reviews an album of inventive new settings for the compositions of Ethiopian musician Emahoy Tsege-Mariam Gebru ...

Sarah Angliss traces the vocal-throwing art's continued persistence in the face of obsolescence, and the peculiar relationship between performers and their knee pals. On 26 January 1926 a handful of ...

Rasheedah Phillips and Camae Ayewa (aka Moor Mother) present a special Wire mix ahead of the publication of Dismantling The ...

Darren Cunningham’s supple, warm, second album of ‘R&B concrète’ was equal parts pop constructivism and humid club compulsiveness. Informed as much by 1980s pop as House and Techno, his meticulous ...